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  <updated>2010-03-15T01:06:15Z</updated>
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    <name>xxxxx workshops List Owner</name>
     
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  <entry>
    <title>mobile research//topology of a future city</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20100107181944/"/>
    <id>tag:freshsent.telekommunisten.net,2010-01-07:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20100107181944%2F</id>
    
    <published>2010-01-07T18:19:44Z</published>
    <updated>2010-01-07T18:19:44Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
'Temporal bandwidth,' is the width of your present, your now. It is&lt;br /&gt;
the familiar '[delta-] t' considered as a dependent variable. The more&lt;br /&gt;
you dwell in the past and in the future, the thicker your bandwidth,&lt;br /&gt;
the more solid your persona. But the narrower your sense of Now, the&lt;br /&gt;
more tenuous you are.&lt;br /&gt;
&lt;br /&gt;
[Thomas Pynchon. Gravity's Rainbow] &lt;br /&gt;
&lt;br /&gt;
_____-micro-research announces the launch of a mobile research&lt;br /&gt;
laboratory devoted to the use of free software and open hardware&lt;br /&gt;
within the field of psychogeophysics. Field trips, working groups and&lt;br /&gt;
occassional workshops are planned for 2010.&lt;br /&gt;
&lt;br /&gt;
The first expedition will be titled Topology of a Future City and&lt;br /&gt;
takes place in early February in Berlin as part of Transmediale10.&lt;br /&gt;
&lt;br /&gt;
Topology of a future city proposes a speculative working group&lt;br /&gt;
divining, describing and thus constructing a future city in ruins; a&lt;br /&gt;
series of descriptive urban vectors extrapolated from ghosted&lt;br /&gt;
electromagnetic, signal and literary traces.&lt;br /&gt;
&lt;br /&gt;
Borrowing techniques from geophysical archaeology (revealing and&lt;br /&gt;
mapping of geophysical properties), narrative displacements (filmic&lt;br /&gt;
manipulations of temporality, science fiction), and coded&lt;br /&gt;
psychogeographics (tracing signs of underground networks), Topology&lt;br /&gt;
sketches a model for the future city flaneur.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.1010.co.uk/org/topology.html&quot;&gt;http://www.1010.co.uk/org/topology.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.transmediale.de/en/node/11027&quot;&gt;http://www.transmediale.de/en/node/11027&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
renewed siting: &lt;a href=&quot;http://www.1010.co.uk/org/&quot;&gt;http://www.1010.co.uk/org/&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title>_____-micro_research workshops_finale: November 28th 2PM: Irrational Computing with Ralf Baecker</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091123161020/"/>
    <id>tag:freshsent.telekommunisten.net,2009-11-23:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091123161020%2F</id>
    
    <published>2009-11-23T16:10:20Z</published>
    <updated>2009-11-23T16:10:20Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
The last in a series of regular workshops at _____-micro_research&lt;br /&gt;
. In 2010 we will initiate an interdisciplinary mobile&lt;br /&gt;
research laboratory devoted to the use of free software and open&lt;br /&gt;
hardware within the field of psychogeophysics. Field trips, working&lt;br /&gt;
groups and occassional workshops are planned. To celebrate this&lt;br /&gt;
transition a small party will be held on the 28th (8PM+) - all old and&lt;br /&gt;
new researchers are invited. Drinks will be served.&lt;br /&gt;
&lt;br /&gt;
//November 28th 2PM: Irrational Computing with Ralf Baecker&lt;br /&gt;
&lt;br /&gt;
Irrational Computing is a loose collection of ideas that includes&lt;br /&gt;
non-traditional logic gates, non-applied computing, minimal computing,&lt;br /&gt;
DIY transistors and homebrew CPUs.&lt;br /&gt;
&lt;br /&gt;
During the workshop we will build elementary arithmetic and logic&lt;br /&gt;
units that enable us to realise expandable, networked and looped&lt;br /&gt;
digital circuits with complex behaviour. We will feed our circuits&lt;br /&gt;
with binary patterns and explore their visual and auditive responses.&lt;br /&gt;
The major component of this workshop is the transistor and its&lt;br /&gt;
switching capability. In addition the workshop will give an&lt;br /&gt;
introduction and guidance into building handcrafted macroscopic&lt;br /&gt;
mechanical logic gates. Feel free to bring some potential material&lt;br /&gt;
(old toys, junk, springs, levers etc.) for logic investigations.&lt;br /&gt;
&lt;br /&gt;
Ralf Baecker (1977) lives and works in Bremen, Germany. After studies&lt;br /&gt;
in computer science he attended the Academy of Media Arts in Cologne.&lt;br /&gt;
In 2007/2008 he taught at the department for &amp;#34;Design of Medial&lt;br /&gt;
Environments&amp;#34; at the Bauhaus University in Weimar. Baecker builds&lt;br /&gt;
kinetic installations and sculptures which interlink symbolic and&lt;br /&gt;
physical spaces. His epistemological machines explore our imagination&lt;br /&gt;
of digital processes.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.no-surprises.de/&quot;&gt;http://www.no-surprises.de/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
No experience required&lt;br /&gt;
&lt;br /&gt;
Fee: 10 euros (includes food)&lt;br /&gt;
&lt;br /&gt;
Please email &lt;a href=&quot;mailto:&amp;#x6D;&amp;#x40;&amp;#x31;&amp;#48;&amp;#49;&amp;#x30;&amp;#x2E;&amp;#x63;&amp;#x6F;&amp;#46;&amp;#x75;&amp;#107;&quot;&gt;&amp;#x6D;&amp;#x40;&amp;#x31;&amp;#48;&amp;#49;&amp;#x30;&amp;#x2E;&amp;#x63;&amp;#x6F;&amp;#46;&amp;#x75;&amp;#107;&lt;/a&gt; to reserve a place (strictly limited)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
---_______&lt;br /&gt;
&lt;br /&gt;
Background:&lt;br /&gt;
&lt;br /&gt;
Workshops led by field-expert practitioners extend over realms of code&lt;br /&gt;
and embedded code, environmental code, noise, transmission and&lt;br /&gt;
reception, and electromysticism. Workshops solely utilise free&lt;br /&gt;
software and GNU toolbase.&lt;br /&gt;
&lt;br /&gt;
Practitioners at pickledfeet have included Martin Kuentz&lt;br /&gt;
(&lt;a href=&quot;mailto:&amp;#x70;&amp;#114;&amp;#100;&amp;#x40;&amp;#x73;&amp;#x63;&amp;#114;&amp;#x79;&amp;#105;&amp;#x6E;&amp;#x67;&amp;#46;&amp;#x6F;&amp;#114;&amp;#103;&quot;&gt;&amp;#x70;&amp;#114;&amp;#100;&amp;#x40;&amp;#x73;&amp;#x63;&amp;#114;&amp;#x79;&amp;#105;&amp;#x6E;&amp;#x67;&amp;#46;&amp;#x6F;&amp;#114;&amp;#103;&lt;/a&gt;), Julian Oliver (&lt;a href=&quot;http://julianoliver.com&quot;&gt;http://julianoliver.com&lt;/a&gt;), Derek&lt;br /&gt;
Holzer (&lt;a href=&quot;http://soundtransit.nl&quot;&gt;http://soundtransit.nl&lt;/a&gt;), Jeff Mann (&lt;a href=&quot;http://jeffmann.com&quot;&gt;http://jeffmann.com&lt;/a&gt;),&lt;br /&gt;
Martin Howse (&lt;a href=&quot;http://1010.co.uk&quot;&gt;http://1010.co.uk&lt;/a&gt;), Kathrin Guenter&lt;br /&gt;
(&lt;a href=&quot;http://www.fotokatie.com&quot;&gt;http://www.fotokatie.com&lt;/a&gt;), Alice Miceli&lt;br /&gt;
(&lt;a href=&quot;http://www.premiosergiomotta.org.br/blog/chernobyl2&quot;&gt;http://www.premiosergiomotta.org.br/blog/chernobyl2&lt;/a&gt;), Fredrik&lt;br /&gt;
Olofsson (&lt;a href=&quot;http://www.fredrikolofsson.com/&quot;&gt;http://www.fredrikolofsson.com/&lt;/a&gt;), Florian Cramer&lt;br /&gt;
(&lt;a href=&quot;http://cramer.plaintext.cc:70/&quot;&gt;http://cramer.plaintext.cc:70/&lt;/a&gt;), Brendan Howell, jo FRGMNT&lt;br /&gt;
grys(&lt;a href=&quot;http://tob.de.vu/&quot;&gt;http://tob.de.vu/&lt;/a&gt;), mikomikona&lt;br /&gt;
&lt;a href=&quot;http://www.zuviel.tv/mikomikona.html&quot;&gt;http://www.zuviel.tv/mikomikona.html&lt;/a&gt;, Antony Hall&lt;br /&gt;
(&lt;a href=&quot;http://antonyhall.net&quot;&gt;http://antonyhall.net&lt;/a&gt;), Gijs Gieskes (&lt;a href=&quot;http://gieskes.nl/&quot;&gt;http://gieskes.nl/&lt;/a&gt;), Alexei&lt;br /&gt;
Blinov (&lt;a href=&quot;http://www.raylab.com&quot;&gt;http://www.raylab.com&lt;/a&gt;), Valentina Vuksic&lt;br /&gt;
(&lt;a href=&quot;http://sei-personaggi-part2.ch/&quot;&gt;http://sei-personaggi-part2.ch/&lt;/a&gt;), Dave Griffiths&lt;br /&gt;
(&lt;a href=&quot;http://www.pawfal.org&quot;&gt;http://www.pawfal.org&lt;/a&gt;), Marc Boon (&lt;a href=&quot;http://www.marcboon.com&quot;&gt;http://www.marcboon.com&lt;/a&gt;),&lt;br /&gt;
Christian Faubel, Cordula K&amp;#246;rber, and Ralf Schreiber&lt;br /&gt;
(&lt;a href=&quot;http://ralfschreiber.com/&quot;&gt;http://ralfschreiber.com/&lt;/a&gt;), Roman H&amp;#228;feli and Olsen Wolf&lt;br /&gt;
(&lt;a href=&quot;http://www.netpd.org&quot;&gt;http://www.netpd.org&lt;/a&gt;), Aymeric Mansoux and Jan-Kees van Kampen&lt;br /&gt;
(&lt;a href=&quot;http://www.goto10.org&quot;&gt;http://www.goto10.org&lt;/a&gt;), Danja Vassiliev and Gordan Savicic&lt;br /&gt;
(&lt;a href=&quot;http://moddr.net/&quot;&gt;http://moddr.net/&lt;/a&gt;), Linda Hilfling&lt;br /&gt;
&lt;br /&gt;
_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119&lt;br /&gt;
&lt;br /&gt;
U2, Rosa-Luxemburg-Pl.&lt;br /&gt;
U8, Rosenthaler Pl.&lt;br /&gt;
&lt;br /&gt;
Telephone: 3050187482. &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;mailto:&amp;#x6D;&amp;#x40;&amp;#x31;&amp;#48;&amp;#49;&amp;#x30;&amp;#x2E;&amp;#x63;&amp;#x6F;&amp;#46;&amp;#x75;&amp;#107;&quot;&gt;&amp;#x6D;&amp;#x40;&amp;#x31;&amp;#48;&amp;#49;&amp;#x30;&amp;#x2E;&amp;#x63;&amp;#x6F;&amp;#46;&amp;#x75;&amp;#107;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
_____-micro_research is supported by Hauptstadtkulturfonds, Berlin 2009&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/workshop.html&quot;&gt;http://1010.co.uk/org/workshop.html&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title>November 19th 8PM salon: Flankierende Massnahmen im Schienenersatzverkehr with Olsen Wolf</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091117125829/"/>
    <id>tag:freshsent.telekommunisten.net,2009-11-17:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091117125829%2F</id>
    
    <published>2009-11-17T12:58:29Z</published>
    <updated>2009-11-17T12:58:29Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
&lt;br /&gt;
micro research salons on the last Thursday of each month (and&lt;br /&gt;
occasional other dates) for local and international researchers to&lt;br /&gt;
gather to discuss common research themes and endeavour.&lt;br /&gt;
&lt;br /&gt;
November 19th 8PM salon: Flankierende Massnahmen im Schienenersatzverkehr&lt;br /&gt;
with Olsen Wolf&lt;br /&gt;
&lt;br /&gt;
- Accompanying arrangements at rail replacement bus service&lt;br /&gt;
&lt;br /&gt;
- acousthesia upgrade&lt;br /&gt;
&lt;br /&gt;
'Accompanying arrangements at rail replacement bus service&amp;#146; is a sound&lt;br /&gt;
installation performed by a robot named &amp;#145;Hyper Line Tracer&amp;#146;. In&lt;br /&gt;
residency at _____-micro-research we'll be exploring an acousthesia&lt;br /&gt;
upgrade to expose the robot into a feedback actuated orbit: The robot&lt;br /&gt;
is carrying a radio transmitter and a microphone on its back and is&lt;br /&gt;
surrounded by various radios, receiving the signal emitted from the&lt;br /&gt;
robot. As the microphone is transmitting the signals coming from the&lt;br /&gt;
radio speakers back to the radio receivers, feedback noise is&lt;br /&gt;
generated. Hence by passing the series of radios, with their different&lt;br /&gt;
positions &amp;#38; characteristics a composition of feedback noise&lt;br /&gt;
emerges. With the applied sensitivity to sound the robot is guided by&lt;br /&gt;
the noise created upon its own movements. In the end the robot&lt;br /&gt;
generates and moves within its own labyrinth of noises and feedback&lt;br /&gt;
tones.&lt;br /&gt;
&lt;br /&gt;
For the salon various 'Accompanying Arrangements' will be performed&lt;br /&gt;
and examined. With drinks and conversation. Free. RSVP.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://hasa-labs.org&quot;&gt;http://hasa-labs.org&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Details: &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119&lt;br /&gt;
&lt;br /&gt;
U2, Rosa-Luxemburg-Pl.&lt;br /&gt;
U8, Rosenthaler Pl.&lt;br /&gt;
&lt;br /&gt;
Telephone: 3050187482. &lt;br /&gt;
&lt;br /&gt;
_____-micro_research is supported by Hauptstadtkulturfonds, Berlin 2009&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/salon.html&quot;&gt;http://1010.co.uk/org/salon.html&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title>Reminder: Remote Control//workshop and broadcast on TV programme programming with Linda Hilfling 14th Nov</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091112124957/"/>
    <id>tag:freshsent.telekommunisten.net,2009-11-12:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091112124957%2F</id>
    
    <published>2009-11-12T12:49:57Z</published>
    <updated>2009-11-12T12:49:57Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
In this workshop we will try to go beyond the general notion of&lt;br /&gt;
democratic media as a matter of access and instead re-examine the&lt;br /&gt;
concept by itself. When broken apart, it raises questions around&lt;br /&gt;
systems of organization and means of control. The workshop is on one&lt;br /&gt;
side a conceptual framework for the discussion and exploration of&lt;br /&gt;
participatory media production and the relation between code, content&lt;br /&gt;
and execution, but also a 'hands-on' introduction to simple&lt;br /&gt;
commandline video editing. We will develop TV programmes - small&lt;br /&gt;
scripts that executes video content in different ways. &lt;br /&gt;
&lt;br /&gt;
At the end of the day we will turn the space into a pirate TV channel&lt;br /&gt;
and make a collective transmission out of our TV programming efforts.&lt;br /&gt;
&lt;br /&gt;
Please bring video material and computer.&lt;br /&gt;
&lt;br /&gt;
Fee: 5 euros (includes food!)&lt;br /&gt;
&lt;br /&gt;
Please email &lt;a href=&quot;mailto:&amp;#x6D;&amp;#x40;&amp;#x31;&amp;#x30;&amp;#x31;&amp;#x30;&amp;#x2E;&amp;#x63;&amp;#111;&amp;#46;&amp;#117;&amp;#107;&quot;&gt;&amp;#x6D;&amp;#x40;&amp;#x31;&amp;#x30;&amp;#x31;&amp;#x30;&amp;#x2E;&amp;#x63;&amp;#111;&amp;#46;&amp;#117;&amp;#107;&lt;/a&gt; to reserve a place (strictly limited)&lt;br /&gt;
&lt;br /&gt;
_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119&lt;br /&gt;
&lt;br /&gt;
U2, Rosa-Luxemburg-Pl.&lt;br /&gt;
U8, Rosenthaler Pl.&lt;br /&gt;
&lt;br /&gt;
Telephone: 3050187482. &lt;br /&gt;
&lt;br /&gt;
_____-micro_research is supported by Hauptstadtkulturfonds, Berlin 2009&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/workshop.html&quot;&gt;http://1010.co.uk/org/workshop.html&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title>_____-micro_research workshops_31//news: November 14th 2PM: Remote Control – a workshop on TV programme programming with Linda Hilfling</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091109141946/"/>
    <id>tag:freshsent.telekommunisten.net,2009-11-09:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091109141946%2F</id>
    
    <published>2009-11-09T14:19:46Z</published>
    <updated>2009-11-09T14:19:46Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
A series of working groups, events and workshops at&lt;br /&gt;
_____-micro_research ; an independent research centre focusing&lt;br /&gt;
on the expanded construction and experience of free software and open&lt;br /&gt;
hardware.&lt;br /&gt;
&lt;br /&gt;
Calendar:&lt;br /&gt;
&lt;br /&gt;
November 14th 2PM: Remote Control &amp;#150; a workshop on TV programme&lt;br /&gt;
programming with Linda Hilfling&lt;br /&gt;
&lt;br /&gt;
November 19th 8PM: Micro-residency salon with Olsen Wolf&lt;br /&gt;
&lt;br /&gt;
November 20/21: part of discurse09 at General Public&lt;br /&gt;
&lt;br /&gt;
November 22nd 5PM: Steganographia//certain Sundays&lt;br /&gt;
&lt;br /&gt;
November 28th 2PM: Irrational Computing with Ralf Baecker&lt;br /&gt;
&lt;br /&gt;
//&amp;#60;-----------------------------------------------&lt;br /&gt;
&lt;br /&gt;
November 14th 2PM: Remote Control &amp;#150; a workshop on TV programme&lt;br /&gt;
programming with Linda Hilfling&lt;br /&gt;
&lt;br /&gt;
In 1932 Bertolt Brecht formulated a critique of the radio as a&lt;br /&gt;
centralized mass media, and advocated a decentralized media structure&lt;br /&gt;
with as many senders as receivers. Ever since, the general notion of&lt;br /&gt;
democratic media has been, and still is, identical to people getting&lt;br /&gt;
access to transmitting their own content. From independent grassroot&lt;br /&gt;
TV makers to pirate radio stations or online digital platforms, the&lt;br /&gt;
aim has been to create a perfect, democratic media structure by&lt;br /&gt;
granting people access to the technology. Today though, with a media&lt;br /&gt;
landscape made up of corporate internet service providers, Brecht's&lt;br /&gt;
visions seem to have been fulfilled. However, paradoxically enough, by&lt;br /&gt;
venture entrepreneurs capitalizing on so called architectures of&lt;br /&gt;
participation.&lt;br /&gt;
&lt;br /&gt;
In this workshop we will try to go beyond the general notion of&lt;br /&gt;
democratic media as a matter of access and instead re-examine the&lt;br /&gt;
concept by itself. When broken apart, it raises questions around&lt;br /&gt;
systems of organization and means of control. The workshop is on one&lt;br /&gt;
side a conceptual framework for the discussion and exploration of&lt;br /&gt;
participatory media production and the relation between code, content&lt;br /&gt;
and execution, but also a 'hands-on' introduction to simple&lt;br /&gt;
commandline video editing. We will develop TV programmes - small&lt;br /&gt;
scripts that executes video content in different ways. At the end of&lt;br /&gt;
the day we will turn the space into a pirate TV channel and make a&lt;br /&gt;
collective transmission out of our TV programming efforts.&lt;br /&gt;
&lt;br /&gt;
Please bring video material and computer.&lt;br /&gt;
&lt;br /&gt;
Fee: 5 euros (includes food!)&lt;br /&gt;
&lt;br /&gt;
Please email &lt;a href=&quot;mailto:&amp;#109;&amp;#64;&amp;#x31;&amp;#48;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#x6F;&amp;#x2E;&amp;#x75;&amp;#x6B;&quot;&gt;&amp;#109;&amp;#64;&amp;#x31;&amp;#48;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#x6F;&amp;#x2E;&amp;#x75;&amp;#x6B;&lt;/a&gt; to reserve a place (strictly limited)&lt;br /&gt;
&lt;br /&gt;
---_______&lt;br /&gt;
&lt;br /&gt;
Background:&lt;br /&gt;
&lt;br /&gt;
Workshops led by field-expert practitioners extend over realms of code&lt;br /&gt;
and embedded code, environmental code, noise, transmission and&lt;br /&gt;
reception, and electromysticism. Workshops solely utilise free&lt;br /&gt;
software and GNU toolbase.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Practitioners at pickledfeet have included Martin Kuentz&lt;br /&gt;
(&lt;a href=&quot;mailto:&amp;#112;&amp;#x72;&amp;#100;&amp;#x40;&amp;#115;&amp;#x63;&amp;#x72;&amp;#121;&amp;#x69;&amp;#110;&amp;#103;&amp;#x2E;&amp;#x6F;&amp;#114;&amp;#x67;&quot;&gt;&amp;#112;&amp;#x72;&amp;#100;&amp;#x40;&amp;#115;&amp;#x63;&amp;#x72;&amp;#121;&amp;#x69;&amp;#110;&amp;#103;&amp;#x2E;&amp;#x6F;&amp;#114;&amp;#x67;&lt;/a&gt;), Julian Oliver (&lt;a href=&quot;http://julianoliver.com&quot;&gt;http://julianoliver.com&lt;/a&gt;), Derek&lt;br /&gt;
Holzer (&lt;a href=&quot;http://soundtransit.nl&quot;&gt;http://soundtransit.nl&lt;/a&gt;), Jeff Mann (&lt;a href=&quot;http://jeffmann.com&quot;&gt;http://jeffmann.com&lt;/a&gt;),&lt;br /&gt;
Martin Howse (&lt;a href=&quot;http://1010.co.uk&quot;&gt;http://1010.co.uk&lt;/a&gt;), Kathrin Guenter&lt;br /&gt;
(&lt;a href=&quot;http://www.fotokatie.com&quot;&gt;http://www.fotokatie.com&lt;/a&gt;), Alice Miceli&lt;br /&gt;
(&lt;a href=&quot;http://www.premiosergiomotta.org.br/blog/chernobyl2&quot;&gt;http://www.premiosergiomotta.org.br/blog/chernobyl2&lt;/a&gt;), Fredrik&lt;br /&gt;
Olofsson (&lt;a href=&quot;http://www.fredrikolofsson.com/&quot;&gt;http://www.fredrikolofsson.com/&lt;/a&gt;), Florian Cramer&lt;br /&gt;
(&lt;a href=&quot;http://cramer.plaintext.cc:70/&quot;&gt;http://cramer.plaintext.cc:70/&lt;/a&gt;), Brendan Howell, jo FRGMNT&lt;br /&gt;
grys(&lt;a href=&quot;http://tob.de.vu/&quot;&gt;http://tob.de.vu/&lt;/a&gt;), mikomikona&lt;br /&gt;
&lt;a href=&quot;http://www.zuviel.tv/mikomikona.html&quot;&gt;http://www.zuviel.tv/mikomikona.html&lt;/a&gt;, Antony Hall&lt;br /&gt;
(&lt;a href=&quot;http://antonyhall.net&quot;&gt;http://antonyhall.net&lt;/a&gt;), Gijs Gieskes (&lt;a href=&quot;http://gieskes.nl/&quot;&gt;http://gieskes.nl/&lt;/a&gt;), Alexei&lt;br /&gt;
Blinov (&lt;a href=&quot;http://www.raylab.com&quot;&gt;http://www.raylab.com&lt;/a&gt;), Valentina Vuksic&lt;br /&gt;
(&lt;a href=&quot;http://sei-personaggi-part2.ch/&quot;&gt;http://sei-personaggi-part2.ch/&lt;/a&gt;), Dave Griffiths&lt;br /&gt;
(&lt;a href=&quot;http://www.pawfal.org&quot;&gt;http://www.pawfal.org&lt;/a&gt;), Marc Boon (&lt;a href=&quot;http://www.marcboon.com&quot;&gt;http://www.marcboon.com&lt;/a&gt;),&lt;br /&gt;
Christian Faubel, Cordula K&amp;#246;rber, and Ralf Schreiber&lt;br /&gt;
(&lt;a href=&quot;http://ralfschreiber.com/&quot;&gt;http://ralfschreiber.com/&lt;/a&gt;), Roman H&amp;#228;feli and Olsen Wolf&lt;br /&gt;
(&lt;a href=&quot;http://www.netpd.org&quot;&gt;http://www.netpd.org&lt;/a&gt;), Aymeric Mansoux and Jan-Kees van Kampen&lt;br /&gt;
(&lt;a href=&quot;http://www.goto10.org&quot;&gt;http://www.goto10.org&lt;/a&gt;), Danja Vassiliev and Gordan Savicic (&lt;a href=&quot;http://moddr.net/&quot;&gt;http://moddr.net/&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119&lt;br /&gt;
&lt;br /&gt;
U2, Rosa-Luxemburg-Pl.&lt;br /&gt;
U8, Rosenthaler Pl.&lt;br /&gt;
&lt;br /&gt;
Telephone: 3050187482. &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;mailto:&amp;#109;&amp;#64;&amp;#x31;&amp;#48;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#x6F;&amp;#x2E;&amp;#x75;&amp;#x6B;&quot;&gt;&amp;#109;&amp;#64;&amp;#x31;&amp;#48;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#x6F;&amp;#x2E;&amp;#x75;&amp;#x6B;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
_____-micro_research is supported by Hauptstadtkulturfonds, Berlin 2009&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/workshop.html&quot;&gt;http://1010.co.uk/org/workshop.html&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title>_____-micro_research workshops_30: November 7th 2PM: Data carving with Danja Vasiliev and Gordan Savicic</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091030141533/"/>
    <id>tag:freshsent.telekommunisten.net,2009-10-30:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091030141533%2F</id>
    
    <published>2009-10-30T14:15:33Z</published>
    <updated>2009-10-30T14:15:33Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
A series of working groups, events and workshops at&lt;br /&gt;
_____-micro_research ; an independent research centre focusing&lt;br /&gt;
on the expanded construction and experience of free software and open&lt;br /&gt;
hardware.&lt;br /&gt;
&lt;br /&gt;
Calendar:&lt;br /&gt;
&lt;br /&gt;
October 31st 9PM: aether9 in performance at Rupert Goldsworthy Gallery&lt;br /&gt;
&lt;br /&gt;
November 7th 2PM: Data carving with Danja Vasiliev and Gordan Savicic&lt;br /&gt;
&lt;br /&gt;
Forthcoming matter: &lt;br /&gt;
&lt;br /&gt;
tv programming, [micro-]cuisine, plotting, handmade logic&lt;br /&gt;
&lt;br /&gt;
//&amp;#60;-----------------------------------------------&lt;br /&gt;
&lt;br /&gt;
November 7th 2PM: Data carving with Danja Vasiliev and Gordan Savicic&lt;br /&gt;
&lt;br /&gt;
    * information excavation, digital archeology, offline privacy&lt;br /&gt;
&lt;br /&gt;
During the workshop we will explore the contents of found hard-disks&lt;br /&gt;
(hard-disque trouv&amp;#233;). Using methods borrowed from computer digital&lt;br /&gt;
forensics participants will peek into the lives of others - former&lt;br /&gt;
owners of scavenged hardware. Hard-disks as the most intimate part of&lt;br /&gt;
any computer system. In case of a personal computer - the most&lt;br /&gt;
intimate part of person's life. Deductively, we will try to discuss&lt;br /&gt;
and recreate 'psyche' portraits of those strangers and restore the&lt;br /&gt;
time-lines that otherwise would have faded away. In the times of&lt;br /&gt;
paranoiac privacy awareness we forget that online is not the only&lt;br /&gt;
place to loose your identity. Although more and more personal data is&lt;br /&gt;
stored on the Internet servers it is still written to&lt;br /&gt;
hard-disks. There were several reports about Internet server's&lt;br /&gt;
hard-disks ending up on flea-markets, being sold for little money.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.eworldwire.com/pressreleases/16402&quot;&gt;http://www.eworldwire.com/pressreleases/16402&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;http://redtape.msnbc.com/2006/06/one_year_ago_ha.html&quot;&gt;http://redtape.msnbc.com/2006/06/one_year_ago_ha.html&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;http://homepage.cc/harddisk&quot;&gt;http://homepage.cc/harddisk&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;http://mareichelt.de/pub/notmine/sanitizing.html&quot;&gt;http://mareichelt.de/pub/notmine/sanitizing.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
By the end of the workshop all the hard-disks and/or the data will be&lt;br /&gt;
destroyed!&lt;br /&gt;
&lt;br /&gt;
    * Workshop prerequisites:&lt;br /&gt;
&lt;br /&gt;
All participants are asked to go local flea-markets or second-hand&lt;br /&gt;
shops to pick up few old hard-disks. You may try eBay as well. Older =&lt;br /&gt;
better, those disks don't need to be of large capacity, in fact 8-16&lt;br /&gt;
Gigabytes is the best size to be able to analyze it during one-day&lt;br /&gt;
session. They also don't need to have any operating system. Make sure&lt;br /&gt;
the disks are 3.5&amp;#148; and have standard IDE interface.&lt;br /&gt;
&lt;br /&gt;
Everybody is also expected to bring laptops (PC, Intel Macs) capable&lt;br /&gt;
of booting from USB-sticks or CDs and equipped with USB2.0&lt;br /&gt;
interfaces. GNU/Linux command line knowledge will be advantageous,&lt;br /&gt;
however it is not required.&lt;br /&gt;
&lt;br /&gt;
Workshop is lead by moddr_ - Danja Vasiliev and Gordan Savicic,&lt;br /&gt;
experimentalists and interventionists on the edge of digital life and&lt;br /&gt;
everyday technology. &lt;a href=&quot;http://moddr.net&quot;&gt;http://moddr.net&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Fee: 10 euros (all materials and food!)&lt;br /&gt;
&lt;br /&gt;
Please email &lt;a href=&quot;mailto:&amp;#109;&amp;#64;&amp;#x31;&amp;#48;&amp;#49;&amp;#48;&amp;#x2E;&amp;#x63;&amp;#x6F;&amp;#x2E;&amp;#x75;&amp;#107;&quot;&gt;&amp;#109;&amp;#64;&amp;#x31;&amp;#48;&amp;#49;&amp;#48;&amp;#x2E;&amp;#x63;&amp;#x6F;&amp;#x2E;&amp;#x75;&amp;#107;&lt;/a&gt; to reserve a place (strictly limited)&lt;br /&gt;
&lt;br /&gt;
---_______&lt;br /&gt;
&lt;br /&gt;
Background:&lt;br /&gt;
&lt;br /&gt;
Workshops led by field-expert practitioners extend over realms of code&lt;br /&gt;
and embedded code, environmental code, noise, transmission and&lt;br /&gt;
reception, and electromysticism. Workshops solely utilise free&lt;br /&gt;
software and GNU toolbase.&lt;br /&gt;
&lt;br /&gt;
Practitioners at pickledfeet have included Martin Kuentz&lt;br /&gt;
(&lt;a href=&quot;mailto:&amp;#112;&amp;#114;&amp;#x64;&amp;#64;&amp;#x73;&amp;#x63;&amp;#x72;&amp;#x79;&amp;#x69;&amp;#110;&amp;#x67;&amp;#x2E;&amp;#x6F;&amp;#114;&amp;#x67;&quot;&gt;&amp;#112;&amp;#114;&amp;#x64;&amp;#64;&amp;#x73;&amp;#x63;&amp;#x72;&amp;#x79;&amp;#x69;&amp;#110;&amp;#x67;&amp;#x2E;&amp;#x6F;&amp;#114;&amp;#x67;&lt;/a&gt;), Julian Oliver (&lt;a href=&quot;http://julianoliver.com&quot;&gt;http://julianoliver.com&lt;/a&gt;), Derek&lt;br /&gt;
Holzer (&lt;a href=&quot;http://soundtransit.nl&quot;&gt;http://soundtransit.nl&lt;/a&gt;), Jeff Mann (&lt;a href=&quot;http://jeffmann.com&quot;&gt;http://jeffmann.com&lt;/a&gt;),&lt;br /&gt;
Martin Howse (&lt;a href=&quot;http://1010.co.uk&quot;&gt;http://1010.co.uk&lt;/a&gt;), Kathrin Guenter&lt;br /&gt;
(&lt;a href=&quot;http://www.fotokatie.com&quot;&gt;http://www.fotokatie.com&lt;/a&gt;), Alice Miceli&lt;br /&gt;
(&lt;a href=&quot;http://www.premiosergiomotta.org.br/blog/chernobyl2&quot;&gt;http://www.premiosergiomotta.org.br/blog/chernobyl2&lt;/a&gt;), Fredrik&lt;br /&gt;
Olofsson (&lt;a href=&quot;http://www.fredrikolofsson.com/&quot;&gt;http://www.fredrikolofsson.com/&lt;/a&gt;), Florian Cramer&lt;br /&gt;
(&lt;a href=&quot;http://cramer.plaintext.cc:70/&quot;&gt;http://cramer.plaintext.cc:70/&lt;/a&gt;), Brendan Howell, jo FRGMNT&lt;br /&gt;
grys(&lt;a href=&quot;http://tob.de.vu/&quot;&gt;http://tob.de.vu/&lt;/a&gt;), mikomikona&lt;br /&gt;
&lt;a href=&quot;http://www.zuviel.tv/mikomikona.html&quot;&gt;http://www.zuviel.tv/mikomikona.html&lt;/a&gt;, Antony Hall&lt;br /&gt;
(&lt;a href=&quot;http://antonyhall.net&quot;&gt;http://antonyhall.net&lt;/a&gt;), Gijs Gieskes (&lt;a href=&quot;http://gieskes.nl/&quot;&gt;http://gieskes.nl/&lt;/a&gt;), Alexei&lt;br /&gt;
Blinov (&lt;a href=&quot;http://www.raylab.com&quot;&gt;http://www.raylab.com&lt;/a&gt;), Valentina Vuksic&lt;br /&gt;
(&lt;a href=&quot;http://sei-personaggi-part2.ch/&quot;&gt;http://sei-personaggi-part2.ch/&lt;/a&gt;), Dave Griffiths&lt;br /&gt;
(&lt;a href=&quot;http://www.pawfal.org&quot;&gt;http://www.pawfal.org&lt;/a&gt;), Marc Boon (&lt;a href=&quot;http://www.marcboon.com&quot;&gt;http://www.marcboon.com&lt;/a&gt;),&lt;br /&gt;
Christian Faubel, Cordula K&amp;#246;rber, and Ralf Schreiber&lt;br /&gt;
(&lt;a href=&quot;http://ralfschreiber.com/&quot;&gt;http://ralfschreiber.com/&lt;/a&gt;), Roman H&amp;#228;feli and Olsen Wolf&lt;br /&gt;
(&lt;a href=&quot;http://www.netpd.org&quot;&gt;http://www.netpd.org&lt;/a&gt;), Aymeric Mansoux and Jan-Kees van Kampen&lt;br /&gt;
(&lt;a href=&quot;http://www.goto10.org&quot;&gt;http://www.goto10.org&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119&lt;br /&gt;
&lt;br /&gt;
U2, Rosa-Luxemburg-Pl.&lt;br /&gt;
U8, Rosenthaler Pl.&lt;br /&gt;
&lt;br /&gt;
Telephone: 3050187482. &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;mailto:&amp;#109;&amp;#64;&amp;#x31;&amp;#48;&amp;#49;&amp;#48;&amp;#x2E;&amp;#x63;&amp;#x6F;&amp;#x2E;&amp;#x75;&amp;#107;&quot;&gt;&amp;#109;&amp;#64;&amp;#x31;&amp;#48;&amp;#49;&amp;#48;&amp;#x2E;&amp;#x63;&amp;#x6F;&amp;#x2E;&amp;#x75;&amp;#107;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
_____-micro_research is supported by Hauptstadtkulturfonds, Berlin 2009&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/workshop.html&quot;&gt;http://1010.co.uk/org/workshop.html&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title>_____-micro_research news/workshops: OCT 26-30: aether9 in residency // NOV 7 data carving</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091026134018/"/>
    <id>tag:freshsent.telekommunisten.net,2009-10-26:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091026134018%2F</id>
    
    <published>2009-10-26T13:40:18Z</published>
    <updated>2009-10-26T13:40:18Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
A series of working groups, events and workshops at&lt;br /&gt;
_____-micro_research ; an independent research centre focusing&lt;br /&gt;
on the expanded construction and experience of free software and open&lt;br /&gt;
hardware.&lt;br /&gt;
&lt;br /&gt;
Calendar:&lt;br /&gt;
&lt;br /&gt;
October 26-30: aether9 in residency at _____-micro-research&lt;br /&gt;
&lt;br /&gt;
October 27 19:00 UTC+2: aether9 in conference at rupert goldsworthy gallery&lt;br /&gt;
&lt;br /&gt;
October 31 21:00 UTC+2: aether9 in performance at rupert goldsworthy gallery&lt;br /&gt;
&lt;br /&gt;
November 7 14:00: data carving with Danja Vasiliev and Gordan Savicic&lt;br /&gt;
&lt;br /&gt;
Forthcoming matter: &lt;br /&gt;
&lt;br /&gt;
tv programming, [micro-]cuisine, plotting, handmade logic&lt;br /&gt;
&lt;br /&gt;
//&amp;#60;-----------------------------------------------&lt;br /&gt;
&lt;br /&gt;
&amp;#198;ther9, an experiment in collaborative realtime storytelling is gathering souls in a dramatically online fashion.&lt;br /&gt;
&lt;br /&gt;
BERLIN will host a physical reunion, a s&amp;#233;ance, workshop, conspiracy,&lt;br /&gt;
residency, and eventually a performance.&lt;br /&gt;
&lt;br /&gt;
During their one-week residency at _____-micro research , the&lt;br /&gt;
networked &amp;#198;ther9 members will meet in physical space for the first&lt;br /&gt;
time to redefine the evolution of the project, develop technical&lt;br /&gt;
applications, and re-experiment with new ideas which will explore the&lt;br /&gt;
scenographic potential of the medium. The foundations being&lt;br /&gt;
distributed authorship, cross-platform, and 'remote&amp;#146; performance of&lt;br /&gt;
streaming audio and visual material to a nomadic HTML interface. This&lt;br /&gt;
event of live performances and video streams from vast locations will&lt;br /&gt;
take you to &amp;#145;the unexpected&amp;#146; - a hyperdrive through space and&lt;br /&gt;
inter-zones.&lt;br /&gt;
&lt;br /&gt;
At the heart of the &amp;#198;ther9 project is the desire to fulfill the &amp;#34;old&amp;#34;&lt;br /&gt;
utopian dream of borderless communication. No frontiers. Developed by&lt;br /&gt;
an online networked group of international visual artists/collectives&lt;br /&gt;
working through Oceania, Asia, the Middle East, Europe, and into the&lt;br /&gt;
Americas, &amp;#198;ther9 is a matrix for video/audio performance, and&lt;br /&gt;
collaborative hybrids of post-dramatic processes particular to these&lt;br /&gt;
new modes of digital communication. Using both &amp;#147;new&amp;#147; and &amp;#147;low-tech&amp;#147;&lt;br /&gt;
technologies within multi-disciplinary art practices, &amp;#198;ther9 aims to&lt;br /&gt;
break the boundaries of spatial and cultural distances to democratize&lt;br /&gt;
the artistic voice within communication technology. The term of&lt;br /&gt;
&amp;#147;reality-jamming&amp;#148; catches the effect generated through this wildly&lt;br /&gt;
dispersed yet intimate collaboration of live sounds and images whose&lt;br /&gt;
fragmented glimpses of individual philosophical positions and&lt;br /&gt;
immediate surroundings transition across the global network in one&lt;br /&gt;
cross-planetary embrace.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.1904.cc/aether&quot;&gt;http://www.1904.cc/aether&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
[rupert goldsworthy gallery, Alexandrinenstrasse 4, 10969 Berlin] &lt;br /&gt;
&lt;br /&gt;
---_______&lt;br /&gt;
&lt;br /&gt;
Background:&lt;br /&gt;
&lt;br /&gt;
Workshops led by field-expert practitioners extend over realms of code&lt;br /&gt;
and embedded code, environmental code, noise, transmission and&lt;br /&gt;
reception, and electromysticism. Workshops solely utilise free&lt;br /&gt;
software and GNU toolbase.&lt;br /&gt;
&lt;br /&gt;
Practitioners at pickledfeet have included Martin Kuentz&lt;br /&gt;
(&lt;a href=&quot;mailto:&amp;#112;&amp;#x72;&amp;#100;&amp;#x40;&amp;#115;&amp;#99;&amp;#x72;&amp;#x79;&amp;#x69;&amp;#110;&amp;#x67;&amp;#46;&amp;#x6F;&amp;#x72;&amp;#x67;&quot;&gt;&amp;#112;&amp;#x72;&amp;#100;&amp;#x40;&amp;#115;&amp;#99;&amp;#x72;&amp;#x79;&amp;#x69;&amp;#110;&amp;#x67;&amp;#46;&amp;#x6F;&amp;#x72;&amp;#x67;&lt;/a&gt;), Julian Oliver (&lt;a href=&quot;http://julianoliver.com&quot;&gt;http://julianoliver.com&lt;/a&gt;), Derek&lt;br /&gt;
Holzer (&lt;a href=&quot;http://soundtransit.nl&quot;&gt;http://soundtransit.nl&lt;/a&gt;), Jeff Mann (&lt;a href=&quot;http://jeffmann.com&quot;&gt;http://jeffmann.com&lt;/a&gt;),&lt;br /&gt;
Martin Howse (&lt;a href=&quot;http://1010.co.uk&quot;&gt;http://1010.co.uk&lt;/a&gt;), Kathrin Guenter&lt;br /&gt;
(&lt;a href=&quot;http://www.fotokatie.com&quot;&gt;http://www.fotokatie.com&lt;/a&gt;), Alice Miceli&lt;br /&gt;
(&lt;a href=&quot;http://www.premiosergiomotta.org.br/blog/chernobyl2&quot;&gt;http://www.premiosergiomotta.org.br/blog/chernobyl2&lt;/a&gt;), Fredrik&lt;br /&gt;
Olofsson (&lt;a href=&quot;http://www.fredrikolofsson.com/&quot;&gt;http://www.fredrikolofsson.com/&lt;/a&gt;), Florian Cramer&lt;br /&gt;
(&lt;a href=&quot;http://cramer.plaintext.cc:70/&quot;&gt;http://cramer.plaintext.cc:70/&lt;/a&gt;), Brendan Howell, jo FRGMNT&lt;br /&gt;
grys(&lt;a href=&quot;http://tob.de.vu/&quot;&gt;http://tob.de.vu/&lt;/a&gt;), mikomikona&lt;br /&gt;
&lt;a href=&quot;http://www.zuviel.tv/mikomikona.html&quot;&gt;http://www.zuviel.tv/mikomikona.html&lt;/a&gt;, Antony Hall&lt;br /&gt;
(&lt;a href=&quot;http://antonyhall.net&quot;&gt;http://antonyhall.net&lt;/a&gt;), Gijs Gieskes (&lt;a href=&quot;http://gieskes.nl/&quot;&gt;http://gieskes.nl/&lt;/a&gt;), Alexei&lt;br /&gt;
Blinov (&lt;a href=&quot;http://www.raylab.com&quot;&gt;http://www.raylab.com&lt;/a&gt;), Valentina Vuksic&lt;br /&gt;
(&lt;a href=&quot;http://sei-personaggi-part2.ch/&quot;&gt;http://sei-personaggi-part2.ch/&lt;/a&gt;), Dave Griffiths&lt;br /&gt;
(&lt;a href=&quot;http://www.pawfal.org&quot;&gt;http://www.pawfal.org&lt;/a&gt;), Marc Boon (&lt;a href=&quot;http://www.marcboon.com&quot;&gt;http://www.marcboon.com&lt;/a&gt;),&lt;br /&gt;
Christian Faubel, Cordula K&amp;#246;rber, and Ralf Schreiber&lt;br /&gt;
(&lt;a href=&quot;http://ralfschreiber.com/&quot;&gt;http://ralfschreiber.com/&lt;/a&gt;), Roman H&amp;#228;feli and Olsen Wolf&lt;br /&gt;
(&lt;a href=&quot;http://www.netpd.org&quot;&gt;http://www.netpd.org&lt;/a&gt;), Aymeric Mansoux and Jan-Kees van Kampen&lt;br /&gt;
(&lt;a href=&quot;http://www.goto10.org&quot;&gt;http://www.goto10.org&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119&lt;br /&gt;
&lt;br /&gt;
U2, Rosa-Luxemburg-Pl.&lt;br /&gt;
U8, Rosenthaler Pl.&lt;br /&gt;
&lt;br /&gt;
Telephone: 3050187482. &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;mailto:&amp;#x6D;&amp;#x40;&amp;#49;&amp;#x30;&amp;#49;&amp;#x30;&amp;#x2E;&amp;#x63;&amp;#111;&amp;#46;&amp;#117;&amp;#x6B;&quot;&gt;&amp;#x6D;&amp;#x40;&amp;#49;&amp;#x30;&amp;#49;&amp;#x30;&amp;#x2E;&amp;#x63;&amp;#111;&amp;#46;&amp;#117;&amp;#x6B;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
_____-micro_research is supported by Hauptstadtkulturfonds, Berlin 2009&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/workshop.html&quot;&gt;http://1010.co.uk/org/workshop.html&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title>_____-micro_research workshops:28/29: 24 OCT noise_produce_7 with Martin Kuentz// 7 NOV data carving with Danja Vasiliev and Gordan Savicic</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091020175456/"/>
    <id>tag:freshsent.telekommunisten.net,2009-10-20:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091020175456%2F</id>
    
    <published>2009-10-20T17:54:56Z</published>
    <updated>2009-10-20T17:54:56Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
A series of weekly working groups and workshops at&lt;br /&gt;
_____-micro_research ; an independent research centre focusing&lt;br /&gt;
on the expanded construction and experience of free software and open&lt;br /&gt;
hardware.&lt;br /&gt;
&lt;br /&gt;
Calendar:&lt;br /&gt;
&lt;br /&gt;
October 24th 2PM: noise_produce_7 // finale make with Martin Kuentz&lt;br /&gt;
&lt;br /&gt;
October 25th 11PM: breakthrough broadcast &lt;a href=&quot;http://herbstradio.org&quot;&gt;http://herbstradio.org&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
October 26-30: aether9 in residency with assorted events&lt;br /&gt;
&lt;br /&gt;
November 7 2PM: data carving with Danja Vasiliev and Gordan Savicic&lt;br /&gt;
&lt;br /&gt;
Forthcoming matter: &lt;br /&gt;
&lt;br /&gt;
tv programming, micro-cuisine?, plotting, handmade logic&lt;br /&gt;
&lt;br /&gt;
//&amp;#60;-----------------------------------------------&lt;br /&gt;
&lt;br /&gt;
October 24th 2PM: noise_produce_7 // finale make with Martin Kuentz&lt;br /&gt;
&lt;br /&gt;
All you that fain philosophers would be &lt;br /&gt;
And night and day in Geber's kitchen broil, &lt;br /&gt;
Wasting the chips of ancient Hermes' tree ; &lt;br /&gt;
Weening to turn them to a precious oil ; &lt;br /&gt;
The more you work, the more you lose and spoil : &lt;br /&gt;
To you I say, how learn'd so e'er you be, &lt;br /&gt;
Go burn your books, and come and learn of me.&lt;br /&gt;
&lt;br /&gt;
[Edward Kelly quoted in Ashmole's Theatrum Chemicum Brittanicum]&lt;br /&gt;
&lt;br /&gt;
NOISE_PRODUCE: Concerned with techniques for the elaboration of&lt;br /&gt;
experimental signal generation; mis-use of digital electronics for the&lt;br /&gt;
active examination of noise and materiality within the context of&lt;br /&gt;
industrial electronics, engineering, economy and the event or&lt;br /&gt;
situation.&lt;br /&gt;
&lt;br /&gt;
MAKE YOUR OWN NEURAL NETWORK: This one day workshop is the final part&lt;br /&gt;
of a series of open experiments and workshops. It materialises all six&lt;br /&gt;
previous in the creation of a simple autonomous stable/astable&lt;br /&gt;
CMOS-noise synthesizer unit with a specially expandable neural design&lt;br /&gt;
model.&lt;br /&gt;
&lt;br /&gt;
DIY: ELECTRONIC KNOW HOW IS NOT REQUIRED. Expansive speculation, also&lt;br /&gt;
continuous confusion is welcome as starting point. Includes all&lt;br /&gt;
diagrams and schematics, specially developed circuit boards,&lt;br /&gt;
electronic parts and pieces. All tools are supplied. Electronics&lt;br /&gt;
construction skills [including soldering, debugging, repairs, own&lt;br /&gt;
experiments] will be assisted.&lt;br /&gt;
&lt;br /&gt;
Cost: &amp;#128;12 per participant (this includes all materials, and food)&lt;br /&gt;
&lt;br /&gt;
There will be a short, public performance closing the workshop at 8PM&lt;br /&gt;
&lt;br /&gt;
Please email &lt;a href=&quot;mailto:&amp;#109;&amp;#x40;&amp;#x31;&amp;#48;&amp;#49;&amp;#48;&amp;#x2E;&amp;#99;&amp;#111;&amp;#46;&amp;#x75;&amp;#x6B;&quot;&gt;&amp;#109;&amp;#x40;&amp;#x31;&amp;#48;&amp;#49;&amp;#48;&amp;#x2E;&amp;#99;&amp;#111;&amp;#46;&amp;#x75;&amp;#x6B;&lt;/a&gt; to reserve a place (strictly limited)&lt;br /&gt;
&lt;br /&gt;
---_______&lt;br /&gt;
&lt;br /&gt;
Background:&lt;br /&gt;
&lt;br /&gt;
Workshops led by field-expert practitioners extend over realms of code&lt;br /&gt;
and embedded code, environmental code, noise, transmission and&lt;br /&gt;
reception, and electromysticism. Workshops solely utilise free&lt;br /&gt;
software and GNU toolbase.&lt;br /&gt;
&lt;br /&gt;
Practitioners at pickledfeet have included Martin Kuentz&lt;br /&gt;
(&lt;a href=&quot;mailto:&amp;#x70;&amp;#x72;&amp;#x64;&amp;#64;&amp;#x73;&amp;#99;&amp;#x72;&amp;#x79;&amp;#105;&amp;#110;&amp;#x67;&amp;#x2E;&amp;#111;&amp;#x72;&amp;#103;&quot;&gt;&amp;#x70;&amp;#x72;&amp;#x64;&amp;#64;&amp;#x73;&amp;#99;&amp;#x72;&amp;#x79;&amp;#105;&amp;#110;&amp;#x67;&amp;#x2E;&amp;#111;&amp;#x72;&amp;#103;&lt;/a&gt;), Julian Oliver (&lt;a href=&quot;http://julianoliver.com&quot;&gt;http://julianoliver.com&lt;/a&gt;), Derek&lt;br /&gt;
Holzer (&lt;a href=&quot;http://soundtransit.nl&quot;&gt;http://soundtransit.nl&lt;/a&gt;), Jeff Mann (&lt;a href=&quot;http://jeffmann.com&quot;&gt;http://jeffmann.com&lt;/a&gt;),&lt;br /&gt;
Martin Howse (&lt;a href=&quot;http://1010.co.uk&quot;&gt;http://1010.co.uk&lt;/a&gt;), Kathrin Guenter&lt;br /&gt;
(&lt;a href=&quot;http://www.fotokatie.com&quot;&gt;http://www.fotokatie.com&lt;/a&gt;), Alice Miceli&lt;br /&gt;
(&lt;a href=&quot;http://www.premiosergiomotta.org.br/blog/chernobyl2&quot;&gt;http://www.premiosergiomotta.org.br/blog/chernobyl2&lt;/a&gt;), Fredrik&lt;br /&gt;
Olofsson (&lt;a href=&quot;http://www.fredrikolofsson.com/&quot;&gt;http://www.fredrikolofsson.com/&lt;/a&gt;), Florian Cramer&lt;br /&gt;
(&lt;a href=&quot;http://cramer.plaintext.cc:70/&quot;&gt;http://cramer.plaintext.cc:70/&lt;/a&gt;), Brendan Howell, jo FRGMNT&lt;br /&gt;
grys(&lt;a href=&quot;http://tob.de.vu/&quot;&gt;http://tob.de.vu/&lt;/a&gt;), mikomikona&lt;br /&gt;
&lt;a href=&quot;http://www.zuviel.tv/mikomikona.html&quot;&gt;http://www.zuviel.tv/mikomikona.html&lt;/a&gt;, Antony Hall&lt;br /&gt;
(&lt;a href=&quot;http://antonyhall.net&quot;&gt;http://antonyhall.net&lt;/a&gt;), Gijs Gieskes (&lt;a href=&quot;http://gieskes.nl/&quot;&gt;http://gieskes.nl/&lt;/a&gt;), Alexei&lt;br /&gt;
Blinov (&lt;a href=&quot;http://www.raylab.com&quot;&gt;http://www.raylab.com&lt;/a&gt;), Valentina Vuksic&lt;br /&gt;
(&lt;a href=&quot;http://sei-personaggi-part2.ch/&quot;&gt;http://sei-personaggi-part2.ch/&lt;/a&gt;), Dave Griffiths&lt;br /&gt;
(&lt;a href=&quot;http://www.pawfal.org&quot;&gt;http://www.pawfal.org&lt;/a&gt;), Marc Boon (&lt;a href=&quot;http://www.marcboon.com&quot;&gt;http://www.marcboon.com&lt;/a&gt;),&lt;br /&gt;
Christian Faubel, Cordula K&amp;#246;rber, and Ralf Schreiber&lt;br /&gt;
(&lt;a href=&quot;http://ralfschreiber.com/&quot;&gt;http://ralfschreiber.com/&lt;/a&gt;), Roman H&amp;#228;feli and Olsen Wolf&lt;br /&gt;
(&lt;a href=&quot;http://www.netpd.org&quot;&gt;http://www.netpd.org&lt;/a&gt;), Aymeric Mansoux and Jan-Kees van Kampen&lt;br /&gt;
(&lt;a href=&quot;http://www.goto10.org&quot;&gt;http://www.goto10.org&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119&lt;br /&gt;
&lt;br /&gt;
U2, Rosa-Luxemburg-Pl.&lt;br /&gt;
U8, Rosenthaler Pl.&lt;br /&gt;
&lt;br /&gt;
Telephone: 3050187482. &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;mailto:&amp;#109;&amp;#x40;&amp;#x31;&amp;#48;&amp;#49;&amp;#48;&amp;#x2E;&amp;#99;&amp;#111;&amp;#46;&amp;#x75;&amp;#x6B;&quot;&gt;&amp;#109;&amp;#x40;&amp;#x31;&amp;#48;&amp;#49;&amp;#48;&amp;#x2E;&amp;#99;&amp;#111;&amp;#46;&amp;#x75;&amp;#x6B;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
_____-micro_research is supported by Hauptstadtkulturfonds, Berlin 2009&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/workshop.html&quot;&gt;http://1010.co.uk/org/workshop.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.1010.co.uk/org/&quot;&gt;http://www.1010.co.uk/org/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://pickledfeet.com&quot;&gt;http://pickledfeet.com&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title>October 17th 8PM exact: /mode +v noise with/and GOTO10 at General Public</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091016203838/"/>
    <id>tag:freshsent.telekommunisten.net,2009-10-16:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091016203838%2F</id>
    
    <published>2009-10-16T20:38:38Z</published>
    <updated>2009-10-16T20:38:38Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
October 17th 8PM exact: /mode +v noise with/and GOTO10 at General Public&lt;br /&gt;
&lt;br /&gt;
Organised by ____-micro_research and Institute of Algorhythmics,&lt;br /&gt;
General Public will host one evening of performances from members of&lt;br /&gt;
the GOTO10 collective.&lt;br /&gt;
&lt;br /&gt;
Free entrance. &lt;br /&gt;
&lt;br /&gt;
General Public garage in the backyard&lt;br /&gt;
 &lt;br /&gt;
Sch&amp;#246;nhauser Allee 167c&lt;br /&gt;
10435 Berlin&lt;br /&gt;
 &lt;br /&gt;
&amp;#214;PNV / Public transport&lt;br /&gt;
U2 &amp;#62; Senefelder Platz&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.generalpublic.de/current/events/article/19/mode-v-noise-by-goto10.html&quot;&gt;http://www.generalpublic.de/current/events/article/19/mode-v-noise-by-goto10.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
8PM exact!&lt;br /&gt;
&lt;br /&gt;
=== /mode +v noise jam ===&lt;br /&gt;
&lt;br /&gt;
A mini tiny micro nano impro from the participants of the &amp;#34;/mode +v&lt;br /&gt;
noise&amp;#34; workshop. If you want to be on stage too, come to the workshop&lt;br /&gt;
(last day saturday at Linienstrasse 54) to build your own ASCII based&lt;br /&gt;
software instrument!&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/workshop.html&quot;&gt;http://1010.co.uk/org/workshop.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
=== Karsten Gebbert - &amp;#34;Monsoon&amp;#34; ===&lt;br /&gt;
&lt;br /&gt;
Karsten Gebbert (DE/US) is an '''un'''trained musician, recording artist&lt;br /&gt;
and software developer with a passion for the realm of the unexplored&lt;br /&gt;
corners of ones own mind and the challenges those frequently produce. He&lt;br /&gt;
has been making music in various formations since 1996 - now he is part&lt;br /&gt;
of the GOTO10 collective and also plays with a nameless (but awesome)&lt;br /&gt;
Berlin band project. His newest favourite project is building a FLOSS&lt;br /&gt;
recording studio together with his comrades from the band.&lt;br /&gt;
&lt;br /&gt;
This new performance is an attempt to mix a few divergent practices in&lt;br /&gt;
sound creation and manipulation in order to explore the vast space of&lt;br /&gt;
possible modulations between the organized, structured and quantized&lt;br /&gt;
space of music and the fluidity of sound scapes from chaotic sound&lt;br /&gt;
generators, recorded material and more conventional synthesis. The&lt;br /&gt;
results are spectrally rich (or poor) sound-scapes, rotten, aliasing wav&lt;br /&gt;
files of walks through parks and streets as well as deep sinusoidal&lt;br /&gt;
bass-lines and beats influenced heavily by instrumental rap music. All&lt;br /&gt;
his music is realised in the SuperCollider 3 environment.&lt;br /&gt;
&lt;br /&gt;
=== Adrian Vacca - &amp;#34;Why Is It?&amp;#34; part 1-2-9 ===&lt;br /&gt;
&lt;br /&gt;
Jan-Kees van Kampen(NL) is a software enthusiast, who spends some of his&lt;br /&gt;
time doing sound programming and composition with SuperCollider, and&lt;br /&gt;
additionally works as teacher, technician and farmer. He is part of the&lt;br /&gt;
GOTO10 collective, PBUP (a network music band) and the Schreck Ensemble&lt;br /&gt;
for electro-acoustic music.&lt;br /&gt;
&lt;br /&gt;
&amp;#34;Why Is It?&amp;#34; is a series of thematic sound pieces that was started in&lt;br /&gt;
2000. Adrian Vacca will play pt.1 and 2 and the new pt.9: &amp;#34; Why Is It we&lt;br /&gt;
don't move to the other, walk in circles, gobble the fodder ?&amp;#34;.&lt;br /&gt;
Improvising with typical stage artefacts like hum, ground loop, and&lt;br /&gt;
known examples of vocal virtuosity from down under.&lt;br /&gt;
&lt;br /&gt;
A generative set of rhythmic simplicity, pop ambience and happy noise,&lt;br /&gt;
exploring harmonicity in a nonharmonic context.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Aymeric Mansoux - &amp;#34;4NX&amp;#34; ===&lt;br /&gt;
&lt;br /&gt;
Aymeric Mansoux is a founding member of the GOTO10 collective. His main&lt;br /&gt;
artistic and research interests revolve around online communities, open&lt;br /&gt;
and distributed practices, software as a medium and the influence of&lt;br /&gt;
FLOSS in the development and understanding of software art. He currently&lt;br /&gt;
lives in the Netherlands and teaches at the Networked Media Master of&lt;br /&gt;
the Piet Zwart Institute in Rotterdam.&lt;br /&gt;
&lt;br /&gt;
'''4NX''' is an audiovisual noise sculpture, starting with the panic of&lt;br /&gt;
a flat signal, turning it into image then back into sound, the&lt;br /&gt;
bootstrapping of a stochastic noise generator, the search for structure&lt;br /&gt;
and frozen moments of accidental beauty. A cornucopia of clicks, pops&lt;br /&gt;
and glitches. 4NX is violent but draws you into this world of chaos&lt;br /&gt;
through its black and white aesthetics, melancholic atmosphere and&lt;br /&gt;
unexpected shaping of raw noise into hypnotic patterns. 4NX is an&lt;br /&gt;
ongoing research on noise aesthetics.&lt;/p&gt;

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  <entry>
    <title>_____-micro_research workshops:27: October 16/17th: /mode +v noise with GOTO10 and performance</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091012165606/"/>
    <id>tag:freshsent.telekommunisten.net,2009-10-12:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091012165606%2F</id>
    
    <published>2009-10-12T16:56:06Z</published>
    <updated>2009-10-12T16:56:06Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
A series of weekly working groups and workshops at&lt;br /&gt;
_____-micro_research ; an independent research centre focusing&lt;br /&gt;
on the expanded construction and experience of free software and open&lt;br /&gt;
hardware.&lt;br /&gt;
&lt;br /&gt;
Calendar:&lt;br /&gt;
&lt;br /&gt;
October 16/17th 2PM/12PM: /mode +v noise with GOTO10&lt;br /&gt;
&lt;br /&gt;
October 17th 8PM: GOTO10 at General Public&lt;br /&gt;
&lt;br /&gt;
Forthcoming matter: &lt;br /&gt;
&lt;br /&gt;
tv programming, micro-cuisine, data carving, plotting, handmade logic&lt;br /&gt;
&lt;br /&gt;
//&amp;#60;-----------------------------------------------&lt;br /&gt;
&lt;br /&gt;
** October 16/17th 2PM/12PM: /mode +v noise with GOTO10&lt;br /&gt;
&lt;br /&gt;
&amp;#147;/mode +v noise&amp;#148; is a project of GOTO10, a collective of international&lt;br /&gt;
artists and computer programmers. It is based on IRC, the oldest&lt;br /&gt;
text-based Internet chat environment. This intervention will transform&lt;br /&gt;
an IRC chat room/channel into a simple, collaborative, text-based online&lt;br /&gt;
system for making music. Since IRC allows &amp;#145;chat bots&amp;#146;- computer programs&lt;br /&gt;
that pretend to be human conversation partners -, we will program such a&lt;br /&gt;
bot to create a collective musical composition environment based on&lt;br /&gt;
Internet chats. In this workshop, participants will explore two parts of&lt;br /&gt;
the project: designing sound generators in Supercollider that they can&lt;br /&gt;
control via a simple IRC bot written in Python. Workshop is taught by&lt;br /&gt;
Aymeric Mansoux and Jan-Kees van Kampen from GOTO10.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
PREREQUISITES: This workshop is aimed to beginners, no previous&lt;br /&gt;
knowledge is required but a basic understanding of computers and an&lt;br /&gt;
unconditional love for command line and text based interfaces is&lt;br /&gt;
mandatory!&lt;br /&gt;
&lt;br /&gt;
To bring:&lt;br /&gt;
 * bring your own Laptop (PC based, macbook/mactel, recent imac, etc. We&lt;br /&gt;
   can't provide support for PPC based Mac such as the old G3-4-5-...)&lt;br /&gt;
 * bring your own headphones&lt;br /&gt;
&lt;br /&gt;
Cost: &amp;#128;20 per participant for both days (this includes food)&lt;br /&gt;
&lt;br /&gt;
Please email &lt;a href=&quot;mailto:&amp;#x6D;&amp;#64;&amp;#49;&amp;#48;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#111;&amp;#x2E;&amp;#x75;&amp;#x6B;&quot;&gt;&amp;#x6D;&amp;#64;&amp;#49;&amp;#48;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#111;&amp;#x2E;&amp;#x75;&amp;#x6B;&lt;/a&gt; to reserve a place (strictly limited to 8)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==== Day 1 ====&lt;br /&gt;
&lt;br /&gt;
 * 14:00 - 15:00: hands on demo of the &amp;#34;/mode +v noise&amp;#34; platform and &lt;br /&gt;
   experiment, using the Puredyne GNU/Linux live distro.&lt;br /&gt;
 * 15:00 - 17:00: Intro to Supercollider's project botsynth, how to&lt;br /&gt;
   change patterns and synths, explanation of different hardcoded&lt;br /&gt;
   synthdef (from super simple, to more complicated examples). &lt;br /&gt;
 * 17:00 - 17:30: break&lt;br /&gt;
 * 17:30 - 19:50: make your own synth + play it through chat using local&lt;br /&gt;
   default bot&lt;br /&gt;
 * 19:50 - 20:00: vote for the best synthdef and win a pack of&lt;br /&gt;
   stropwaffel&lt;br /&gt;
&lt;br /&gt;
==== Day 2 ====&lt;br /&gt;
&lt;br /&gt;
 * 12:00 - 13:00: python crash course&lt;br /&gt;
* 13:00 - 15:00: reviewing the IRC bot features including OSC, IRC and&lt;br /&gt;
   mode+v classes&lt;br /&gt;
 * 15:00 - 15:30: break&lt;br /&gt;
 * 15:30 - 17:50: pimp your bot by combining existing code or writting&lt;br /&gt;
   your own&lt;br /&gt;
 * 17:50 - 18:00: vote for the best bot and win a pack of stropwaffel&lt;br /&gt;
&lt;br /&gt;
The workshop will be followed by performances at General Public,&lt;br /&gt;
Sch&amp;#246;nhauser Allee 167c:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.generalpublic.de/current/events/article/19/mode-v-noise-by-goto10.html&quot;&gt;http://www.generalpublic.de/current/events/article/19/mode-v-noise-by-goto10.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Details to follow!&lt;br /&gt;
&lt;br /&gt;
=== About Supercollider ===&lt;br /&gt;
&lt;br /&gt;
SuperCollider is an environment and programming language originally&lt;br /&gt;
released in 1996 by James McCartney for real time audio synthesis and&lt;br /&gt;
algorithmic composition. Since then it has been evolving into a system&lt;br /&gt;
used and further developed by both scientists and artists working with&lt;br /&gt;
sound. It is an efficient and expressive dynamic programming language&lt;br /&gt;
which makes it an interesting framework for acoustic research,&lt;br /&gt;
algorithmic music and interactive programming. We will deal with&lt;br /&gt;
practical sound-synthesis, jitlib (rapid prototyping), and get ourselves&lt;br /&gt;
sounding ready for the irc-jam on the second day.&lt;br /&gt;
&lt;br /&gt;
=== About Python ===&lt;br /&gt;
&lt;br /&gt;
Python is a general-purpose high-level programming language. Its design&lt;br /&gt;
philosophy emphasizes code readability. Python claims to &amp;#34;&lt;br /&gt;
remarkable power with very clear syntax&amp;#34;, and its standard library is&lt;br /&gt;
large and comprehensive.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== About Puredyne ===&lt;br /&gt;
&lt;br /&gt;
Puredyne is an operating system developed to provide media artists with&lt;br /&gt;
a complete set of tools for realtime audio and video processing.&lt;br /&gt;
Puredyne is a live distribution, you don't need to install anything.&lt;br /&gt;
Simply boot your computer using the live CD or USB and you're ready to&lt;br /&gt;
start using software such as Pure Data, Supercollider, Icecast, Csound,&lt;br /&gt;
Fluxus, Processing, Arduino and much much more. &lt;br /&gt;
&lt;br /&gt;
=== About GOTO10 ===&lt;br /&gt;
&lt;br /&gt;
GOTO10 aims to support and grow digital art projects and tools for&lt;br /&gt;
artistic creation, located on the blurry line between software&lt;br /&gt;
programming and art. GOTO10's members have backgrounds in visual arts,&lt;br /&gt;
sound art, music technology, physical computing and programming. They&lt;br /&gt;
have worked around the theme of FLOSS+Art since 2003, using&lt;br /&gt;
performances, workshops, installations, print, and code repositories as&lt;br /&gt;
their medium.&lt;br /&gt;
&lt;br /&gt;
 * &lt;a href=&quot;http://goto10.org&quot;&gt;http://goto10.org&lt;/a&gt;&lt;br /&gt;
 * &lt;a href=&quot;http://identi.ca/goto10&quot;&gt;http://identi.ca/goto10&lt;/a&gt;&lt;br /&gt;
 * irc://irc.goto10.org channel: #goto10 &lt;br /&gt;
&lt;br /&gt;
---_______&lt;br /&gt;
&lt;br /&gt;
Background:&lt;br /&gt;
&lt;br /&gt;
Workshops led by field-expert practitioners extend over realms of code&lt;br /&gt;
and embedded code, environmental code, noise, transmission and&lt;br /&gt;
reception, and electromysticism. Workshops solely utilise free&lt;br /&gt;
software and GNU toolbase.&lt;br /&gt;
&lt;br /&gt;
Practitioners at pickledfeet have included Martin Kuentz&lt;br /&gt;
(&lt;a href=&quot;mailto:&amp;#112;&amp;#x72;&amp;#100;&amp;#x40;&amp;#115;&amp;#99;&amp;#x72;&amp;#x79;&amp;#105;&amp;#110;&amp;#x67;&amp;#46;&amp;#x6F;&amp;#x72;&amp;#x67;&quot;&gt;&amp;#112;&amp;#x72;&amp;#100;&amp;#x40;&amp;#115;&amp;#99;&amp;#x72;&amp;#x79;&amp;#105;&amp;#110;&amp;#x67;&amp;#46;&amp;#x6F;&amp;#x72;&amp;#x67;&lt;/a&gt;), Julian Oliver (&lt;a href=&quot;http://selectparks.net/&quot;&gt;http://selectparks.net/&lt;/a&gt;), Derek&lt;br /&gt;
Holzer (&lt;a href=&quot;http://soundtransit.nl&quot;&gt;http://soundtransit.nl&lt;/a&gt;), Jeff Mann (&lt;a href=&quot;http://jeffmann.com&quot;&gt;http://jeffmann.com&lt;/a&gt;),&lt;br /&gt;
Martin Howse (&lt;a href=&quot;http://1010.co.uk&quot;&gt;http://1010.co.uk&lt;/a&gt;), Kathrin Guenter&lt;br /&gt;
(&lt;a href=&quot;http://www.fotokatie.com&quot;&gt;http://www.fotokatie.com&lt;/a&gt;), Alice Miceli&lt;br /&gt;
(&lt;a href=&quot;http://www.premiosergiomotta.org.br/blog/chernobyl2&quot;&gt;http://www.premiosergiomotta.org.br/blog/chernobyl2&lt;/a&gt;), Fredrik&lt;br /&gt;
Olofsson (&lt;a href=&quot;http://www.fredrikolofsson.com/&quot;&gt;http://www.fredrikolofsson.com/&lt;/a&gt;), Florian Cramer&lt;br /&gt;
(&lt;a href=&quot;http://cramer.plaintext.cc:70/&quot;&gt;http://cramer.plaintext.cc:70/&lt;/a&gt;), Brendan Howell, jo FRGMNT&lt;br /&gt;
grys(&lt;a href=&quot;http://tob.de.vu/&quot;&gt;http://tob.de.vu/&lt;/a&gt;), mikomikona&lt;br /&gt;
&lt;a href=&quot;http://www.zuviel.tv/mikomikona.html&quot;&gt;http://www.zuviel.tv/mikomikona.html&lt;/a&gt;, Antony Hall&lt;br /&gt;
(&lt;a href=&quot;http://antonyhall.net&quot;&gt;http://antonyhall.net&lt;/a&gt;), Gijs Gieskes (&lt;a href=&quot;http://gieskes.nl/&quot;&gt;http://gieskes.nl/&lt;/a&gt;), Alexei&lt;br /&gt;
Blinov (&lt;a href=&quot;http://www.raylab.com&quot;&gt;http://www.raylab.com&lt;/a&gt;), Valentina Vuksic&lt;br /&gt;
(&lt;a href=&quot;http://sei-personaggi-part2.ch/&quot;&gt;http://sei-personaggi-part2.ch/&lt;/a&gt;), Dave Griffiths&lt;br /&gt;
(&lt;a href=&quot;http://www.pawfal.org&quot;&gt;http://www.pawfal.org&lt;/a&gt;), Marc Boon (&lt;a href=&quot;http://www.marcboon.com&quot;&gt;http://www.marcboon.com&lt;/a&gt;),&lt;br /&gt;
Christian Faubel, Cordula K&amp;#246;rber, and Ralf Schreiber&lt;br /&gt;
(&lt;a href=&quot;http://ralfschreiber.com/&quot;&gt;http://ralfschreiber.com/&lt;/a&gt;), Roman H&amp;#228;feli and Olsen Wolf&lt;br /&gt;
(&lt;a href=&quot;http://www.netpd.org&quot;&gt;http://www.netpd.org&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119&lt;br /&gt;
&lt;br /&gt;
U2, Rosa-Luxemburg-Pl.&lt;br /&gt;
U8, Rosenthaler Pl.&lt;br /&gt;
&lt;br /&gt;
Telephone: 3050187482. &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;mailto:&amp;#x6D;&amp;#64;&amp;#49;&amp;#48;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#111;&amp;#x2E;&amp;#x75;&amp;#x6B;&quot;&gt;&amp;#x6D;&amp;#64;&amp;#49;&amp;#48;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#111;&amp;#x2E;&amp;#x75;&amp;#x6B;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
_____-micro_research is supported by Hauptstadtkulturfonds, Berlin 2009&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/workshop.html&quot;&gt;http://1010.co.uk/org/workshop.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.1010.co.uk/org/&quot;&gt;http://www.1010.co.uk/org/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://pickledfeet.com&quot;&gt;http://pickledfeet.com&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title>_____-micro_research workshops:26//27: October 10th: Light Unseen with Kathrin Günter// October 16/17th: /mode +v noise with GOTO10</title>
    <link rel="alternate" href="http://freshsent.telekommunisten.net/mail.cgi/archive/xxxxx/20091005170750/"/>
    <id>tag:freshsent.telekommunisten.net,2009-10-05:%2Fmail.cgi%2Farchive%2Fxxxxx%2F20091005170750%2F</id>
    
    <published>2009-10-05T17:07:50Z</published>
    <updated>2009-10-05T17:07:50Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
A series of weekly working groups and workshops at&lt;br /&gt;
_____-micro_research ; an independent research centre focusing&lt;br /&gt;
on the expanded construction and experience of free software and open&lt;br /&gt;
hardware.&lt;br /&gt;
&lt;br /&gt;
Calendar:&lt;br /&gt;
&lt;br /&gt;
October 10th 2PM: Light Unseen with Kathrin G&amp;#252;nter&lt;br /&gt;
&lt;br /&gt;
October 16/17th 2PM: /mode +v noise with GOTO10&lt;br /&gt;
&lt;br /&gt;
Forthcoming matter: &lt;br /&gt;
&lt;br /&gt;
tv programming, Python/IRC/PD/SC, micro-cuisine, data carving,&lt;br /&gt;
plotting, handmade logic&lt;br /&gt;
&lt;br /&gt;
//&amp;#60;-----------------------------------------------&lt;br /&gt;
&lt;br /&gt;
October 10th 2PM: Light Unseen with Kathrin G&amp;#252;nter&lt;br /&gt;
&lt;br /&gt;
Thought is a radiant, creative, almost material power, the fiat lux of&lt;br /&gt;
the bible. During the process of thinking, the soul turns the atoms of&lt;br /&gt;
the brain into waves and makes its phosphor glow. With concentrating&lt;br /&gt;
ones thought onto any object with simple outlines, like a bottle for&lt;br /&gt;
example, the fluidic thought image will be forced out through the eyes&lt;br /&gt;
to expose itself through the power of its glow onto the photographic&lt;br /&gt;
plate. The result is a photographic image.&lt;br /&gt;
&lt;br /&gt;
[Louis Darget, 1911]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In &amp;#34;Light Unseen&amp;#34; participants will try, throughout a variety of&lt;br /&gt;
thoughto - photographic experiments, to focus, force, project and&lt;br /&gt;
possibly expose thoughts onto photosensitive materials. &lt;br /&gt;
&lt;br /&gt;
All necessary materials, including photographic emulsion, chemicals,&lt;br /&gt;
film, paper and polaroid will be provided. Containers or devices may be&lt;br /&gt;
constructed here or welcome to be brought along. &lt;br /&gt;
&lt;br /&gt;
Thoughts are welcome. Results cannot be promised.&lt;br /&gt;
&lt;br /&gt;
Kathrin G&amp;#252;nter, artist and photographer has been exploring extensively&lt;br /&gt;
gossip, star behaviour and the phenomenon of paparazzi photography.&lt;br /&gt;
Recent researches include thoughtographic theories, practises and other&lt;br /&gt;
invisible phenomena of the early twentieth century.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.fotokatie.com&quot;&gt;http://www.fotokatie.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
No experience required.&lt;br /&gt;
&lt;br /&gt;
Cost: &amp;#128;10 per participant (this includes materials, and food)&lt;br /&gt;
&lt;br /&gt;
Please email &lt;a href=&quot;mailto:&amp;#x6D;&amp;#x40;&amp;#49;&amp;#x30;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#111;&amp;#46;&amp;#x75;&amp;#107;&quot;&gt;&amp;#x6D;&amp;#x40;&amp;#49;&amp;#x30;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#111;&amp;#46;&amp;#x75;&amp;#107;&lt;/a&gt; to reserve a place (strictly limited)&lt;br /&gt;
&lt;br /&gt;
---_______&lt;br /&gt;
&lt;br /&gt;
Background:&lt;br /&gt;
&lt;br /&gt;
Workshops led by field-expert practitioners extend over realms of code&lt;br /&gt;
and embedded code, environmental code, noise, transmission and&lt;br /&gt;
reception, and electromysticism. Workshops solely utilise free&lt;br /&gt;
software and GNU toolbase.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Practitioners at pickledfeet have included Martin Kuentz&lt;br /&gt;
(&lt;a href=&quot;mailto:&amp;#112;&amp;#x72;&amp;#x64;&amp;#x40;&amp;#115;&amp;#x63;&amp;#x72;&amp;#121;&amp;#x69;&amp;#x6E;&amp;#x67;&amp;#x2E;&amp;#x6F;&amp;#114;&amp;#103;&quot;&gt;&amp;#112;&amp;#x72;&amp;#x64;&amp;#x40;&amp;#115;&amp;#x63;&amp;#x72;&amp;#121;&amp;#x69;&amp;#x6E;&amp;#x67;&amp;#x2E;&amp;#x6F;&amp;#114;&amp;#103;&lt;/a&gt;), Julian Oliver (&lt;a href=&quot;http://selectparks.net/&quot;&gt;http://selectparks.net/&lt;/a&gt;), Derek&lt;br /&gt;
Holzer (&lt;a href=&quot;http://soundtransit.nl&quot;&gt;http://soundtransit.nl&lt;/a&gt;), Jeff Mann (&lt;a href=&quot;http://jeffmann.com&quot;&gt;http://jeffmann.com&lt;/a&gt;),&lt;br /&gt;
Martin Howse (&lt;a href=&quot;http://1010.co.uk&quot;&gt;http://1010.co.uk&lt;/a&gt;), Fredrik Olofsson&lt;br /&gt;
(&lt;a href=&quot;http://www.fredrikolofsson.com/&quot;&gt;http://www.fredrikolofsson.com/&lt;/a&gt;), Florian Cramer&lt;br /&gt;
(&lt;a href=&quot;http://cramer.plaintext.cc:70/&quot;&gt;http://cramer.plaintext.cc:70/&lt;/a&gt;), Brendan Howell, jo FRGMNT&lt;br /&gt;
grys(&lt;a href=&quot;http://tob.de.vu/&quot;&gt;http://tob.de.vu/&lt;/a&gt;), mikomikona&lt;br /&gt;
&lt;a href=&quot;http://www.zuviel.tv/mikomikona.html&quot;&gt;http://www.zuviel.tv/mikomikona.html&lt;/a&gt;, Antony Hall&lt;br /&gt;
(&lt;a href=&quot;http://antonyhall.net&quot;&gt;http://antonyhall.net&lt;/a&gt;), Gijs Gieskes (&lt;a href=&quot;http://gieskes.nl/&quot;&gt;http://gieskes.nl/&lt;/a&gt;), Alexei&lt;br /&gt;
Blinov (&lt;a href=&quot;http://www.raylab.com&quot;&gt;http://www.raylab.com&lt;/a&gt;), Valentina Vuksic&lt;br /&gt;
(&lt;a href=&quot;http://sei-personaggi-part2.ch/&quot;&gt;http://sei-personaggi-part2.ch/&lt;/a&gt;), Dave Griffiths&lt;br /&gt;
(&lt;a href=&quot;http://www.pawfal.org&quot;&gt;http://www.pawfal.org&lt;/a&gt;), Marc Boon (&lt;a href=&quot;http://www.marcboon.com&quot;&gt;http://www.marcboon.com&lt;/a&gt;),&lt;br /&gt;
Christian Faubel, Cordula K&amp;#246;rber, and Ralf Schreiber&lt;br /&gt;
(&lt;a href=&quot;http://ralfschreiber.com/&quot;&gt;http://ralfschreiber.com/&lt;/a&gt;), Roman H&amp;#228;feli and Olsen Wolf&lt;br /&gt;
(&lt;a href=&quot;http://www.netpd.org&quot;&gt;http://www.netpd.org&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
_____-micro_research, pickledfeet, Linienstrasse 54, Berlin 10119&lt;br /&gt;
&lt;br /&gt;
U2, Rosa-Luxemburg-Pl.&lt;br /&gt;
U8, Rosenthaler Pl.&lt;br /&gt;
&lt;br /&gt;
Telephone: 3050187482. &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;mailto:&amp;#x6D;&amp;#x40;&amp;#49;&amp;#x30;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#111;&amp;#46;&amp;#x75;&amp;#107;&quot;&gt;&amp;#x6D;&amp;#x40;&amp;#49;&amp;#x30;&amp;#x31;&amp;#x30;&amp;#46;&amp;#99;&amp;#111;&amp;#46;&amp;#x75;&amp;#107;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
_____-micro_research is supported by Hauptstadtkulturfonds, Berlin 2009&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://1010.co.uk/org/workshop.html&quot;&gt;http://1010.co.uk/org/workshop.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.1010.co.uk/org/&quot;&gt;http://www.1010.co.uk/org/&lt;/a&gt;&lt;/p&gt;

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